The Surfer's Journal 29.2
More book than magazine. A reader-supported surf publication founded in 1992, The Surfer’s Journal is vivid, authoritative, and independent. The goal of each 132-page bimonthly edition? A completely resolved composition. Balance. Color. Story. And purist surf energy from Page One to close-of-book.
Inside the book, TSJ 29.2 treks through the Western Australian wilderness looking for empty setups, tests twin-fins at an off-grid Mexican beach break, and recounts some of surfing’s most notorious travel disasters. Essayist Ralph Sneeden’s reflections on bi-coastal identity and shaper-artist Trey Edwards home in Daytona Beach hit on cultural points, while Todd Glaser’s underwater photography and John Respondek’s highlights from six weeks in Indonesia provide visual counterbalance.
More book than magazine. A reader-supported surf publication founded in 1992, The Surfer’s Journal is vivid, authoritative, and independent. The goal of each 132-page bimonthly edition? A completely resolved composition. Balance. Color. Story. And purist surf energy from Page One to close-of-book.
Inside the book, TSJ 29.2 treks through the Western Australian wilderness looking for empty setups, tests twin-fins at an off-grid Mexican beach break, and recounts some of surfing’s most notorious travel disasters. Essayist Ralph Sneeden’s reflections on bi-coastal identity and shaper-artist Trey Edwards home in Daytona Beach hit on cultural points, while Todd Glaser’s underwater photography and John Respondek’s highlights from six weeks in Indonesia provide visual counterbalance.
More book than magazine. A reader-supported surf publication founded in 1992, The Surfer’s Journal is vivid, authoritative, and independent. The goal of each 132-page bimonthly edition? A completely resolved composition. Balance. Color. Story. And purist surf energy from Page One to close-of-book.
Inside the book, TSJ 29.2 treks through the Western Australian wilderness looking for empty setups, tests twin-fins at an off-grid Mexican beach break, and recounts some of surfing’s most notorious travel disasters. Essayist Ralph Sneeden’s reflections on bi-coastal identity and shaper-artist Trey Edwards home in Daytona Beach hit on cultural points, while Todd Glaser’s underwater photography and John Respondek’s highlights from six weeks in Indonesia provide visual counterbalance.